Programma

Venerdì 29 novembre
9:30-10:00 Giorgio PARISI, Roberto ANTONELLI (Accademia Nazionale dei Lincei, Rome): Welcome
address
Antonio PAOLUCCI, Antonio SGAMELLOTTI (Accademia Nazionale dei Lincei): Introduction to
the Symposium
Chair: Gilberto CORBELLINI (CNR, Roma)
10:00-10:30 Carmen BAMBACH (The Metropolitan Museum of Art, New York): Leonardo and his circle
10:30-11:00 Vincent DELIEUVIN (Musée du Louvre, Paris): Copying the master. The case of Saint John the
Baptist
11:00-11:30 Coffee break
Chair: Alessandro ZUCCARI (Accademia Nazionale dei Lincei, Rome)
11:30-12:00 Cecilia FROSININI (Opificio delle Pietre Dure, Firenze): Leonardo and Verrocchio: apprenticeship,
mentoring or duality?
12:00-12:30 Ana GONZÁLEZ MOZO (Museo del Prado, Madrid): The “Gioconda” of Museo del Prado
12:30-13:00 Cinzia PASQUALI (Arcanes, Paris): Three paintings by a Leonardesque master
13:00-13:30 Carlotta BECCARIA (Restauro Sas, Milano): Boltraffio and Marco d’Oggiono: case studies
Chair: Cristina ACIDINI (Accademia delle Arti del Disegno, Firenze)
15:00-15:30 Marco CIATTI (Opificio delle Pietre Dure, Firenze): The restoration of the “Adorazione dei Magi”
by Leonardo: project, results (and some considerations on communication)
15:30-16:00 Barbara JATTA (Musei Vaticani, Roma): “San Girolamo” at the Musei Vaticani
16:00-16:30 Roberto BELLUCCI (Opificio delle Pietre Dure, Firenze): The underdrawing in Leonardo’s
paintings
16:30-17:00 Coffee break
Chair: Bruno BRUNETTI (INSTM, Università di Perugia)
17:00-17:30 Michel MENU (Centre de Recherche et de Restauration des Musées de France, Paris):
Leonardo da Vinci: the experience of art. Multispectral and multiscale analysis of the Louvre
paintings
17:30-18:00 Marika SPRING (The National Gallery, London): Leonardo's “Virgin of the Rocks” in the
National Gallery, London: new discoveries from macro XRF scanning and hyperspectral imaging
18:00-18:30 Maria T. FIORIO (Ente Raccolta Vinciana, Milano): On the “mistione de’ colori”: recipes for
painters in Leonardo’s writings
18:30-19:00 Gigetta DALLI REGOLI, Lucia TOMASI TONGIORGI (Accademia Nazionale dei Lincei, Rome):
Discussion

Sabato 30 novembre
Chair: Giorgio BONSANTI (Accademia delle Arti del Disegno, Firenze)
9:30-10:00 Barbara BERRIE (National Gallery of Art, Washington DC): “Portrait of Ginevra de’ Benci” at
the National Gallery of Washington
10:00-10:30 Janusz CZOP (National Institute for Museums and Public Collections, Warsaw): “The Lady
with an Ermine”: known and unknown
10:30-11:15 Pietro PETRAROIA (Università Cattolica del Sacro Cuore, Milano) - Anna GALLI (CNR-IBFM
and Università di Milano Bicocca): Luini in a new light
11:15-11:45 Coffee break
Chair: Claudio SECCARONI (ENEA, Roma)
11:45-12:15 Michela PALAZZO (Museo del Cenacolo Vinciano, Milano): New studies on the technique of
mural painting by Leonardo da Vinci: the “Last Supper” and the “Sala delle Asse” in Milan
12:15-12:45 Pietro C. MARANI (Politecnico di Milano): New perspectives in the studies on Leonardo and his
circle
12:45-13:15 Marco LEONA (The Metropolitan Museum of Art, New York): Discussion
13:15-13:30 Antonio SGAMELLOTTI (Accademia Nazionale dei Lincei, Rome): Closure
15:00 Visit to the Exhibition at Villa Farnesina: Leonardo a Roma. Influenze ed Eredità

Scientific Committee
Roberto Antonelli, Gigetta Dalli Regoli, Paolo Galluzzi, Lamberto Maffei, Antonio Paolucci, Giorgio Parisi,
Alberto Quadrio Curzio, Antonio Sgamellotti, Lucia Tomasi Tongiorgi, Alessandro Zuccari (Accademia
Nazionale dei Lincei)

Organizing Committee
Antonio Sgamellotti (Accademia Nazionale dei Lincei, Coord.), Bruno Brunetti (INSTM, Università di
Perugia), Claudio Seccaroni (ENEA, Roma), Virginia Lapenta (Villa Farnesina, Secret.)