060608


Roma Capitale
Zètema Progetto Cultura
060608 - Discover and buy tourist services, cultural offers and shows in Rome
You are in: Home » Events and shows » Exhibitions » TIEPOLO: The Colours Of Drawings
Date: from 2014-10-03 to 2015-01-18

Opening times

3 October, 2014 - 18 January, 2015
Tuesday-Sunday: 9.00-20.00;
December 24 and 31: 9.00-14.00;
Last admission 1 hour before closing time.
Closed Monday, December 25 and January 1

Information

Valid until 18 January, 2015: 
"Museum + Exhibitions (TIEPOLO: i colori del disegno” and "Marsia. La superbia punita")" Combined Ticket: 
Adults € 15,00
Concessions € 13,00
Ridottissimo special price € 2,00* 
Roman Citizens only (by showing a valid ID): 
Adults € 13,00
Concessions € 11,00
Ridottissimo special price € 2,00*
 * Please note: According to the Municipal by-law, due to the exceptionality of the exhibition, people usually entitled to free admission must purchase a € 2,00 concessionary ticket.
Free admission is granted to children under 6 years, groups of elementary and (lower) middle schools, to visitors with disabilities and a family member or a carer who can prove that they belong to social and health care services, and RomaPass holders (if used to access the first 2 sites).   

Capitolini Card (valid 7 days) "Capitoline Museums + Centrale Montemartini + Exhibitions  (TIEPOLO: i colori del disegno” and "Marsia. La superbia punita")" Combined Ticket: 
Adults € 16,00
Concessions € 14,00 
Roman Citizens only (by showing a vaild ID): 
Adults € 15,00
Concessions € 13,00

Booking

Online tickets
Just show your printed receipt at turnstiles of the Capitoline Museums and the Ara Pacis Museum; no need to go to the ticket office.
In all other museums show your printed receipt at the ticket office (without standing in line) and get your tickets.

Infoline: +39 060608 (every day from 9:00 to 21:00; except December 24 and 31 from 9:00 to 17:00; 25 December and 1 January from 11:00 to 18:00).

Contacts

Description

For the first time in Rome, the work of one of the greatest painters and printmakers of the eighteenth-century Venice, Giambattista Tiepolo. In the history of European figurative art, the impressive quantity and variety of designs produced by Tiepolo stands out as a great monument of eighteenth-century graphic representation. 

#TiepoloRoma

The history of European figurative culture is remarkably marked by a huge amount and variety of drawings of the Tiepolos, which stand out as a magnificent monument of Eighteenth-century graphics. Indeed, drawing is the basic element of Giambattista Tiepolo’s genial art and is where he was the most prolific. Similarly, drawing characterized the exceptional and unique production of his family-owned original atelier, where he guided the graphical activity of his sons, Giandomenico and Lorenzo, in the last example of a very old Venitian tradition. Such an inexhaustible narrative vein, mainly intended as an independent exercise, is made of an extensive variety of registers that the artist used to adjust to the different functionalities of his production. Thus, the various typologies, techniques and themes give rise to a “colour of drawing”. This occasion is dedicated to this peculiar perspective on the many-sided world of Tiepolo and finds its reason in the lucky chance of gathering a selection of works coming from Italian collections, unfamiliar to the great public, with sheets that have been hardly ever exhibited before. The four sections of the exhibition feature drawings and a selection of etchings according to prominent thematic clusters, but still arranged according to the range of their techniques: from the project to the early sketches, from “memories” to “amusements” and to the replicas of Giandomenico and Lorenzo, as an emulation of their father’s works.
A measured selection of paintings is also exhibited in order to introduce and somehow represent the painting outcomes of every graphical typology. Some are well known, others have re-emerged or have been recognized only by the most recent research activities – even in the preparation of this exhibition – but they all contribute to grasp the dynamics of Tiepolo’s language, whose exceptional imaginative fertility does not exclude a constant innovation in the iteration of models.

Keywords